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We’ve got to get the word out that this is often a very effective therapy for those with OCD.

Having OCD is tough…getting the right help shouldn’t be.

This is often difficult in the case of social anxiety.

OCD is not something rational that can be discussed.

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French, his pocket edition of Euripedes, and his inimitable formalities inter- spersed with rjlapscs. He becomes a super- business man, but then the girl says she no longer loves him, and becomes en- I gaged to the other man. Taylor was very satisfying as the type — funny American business i| man plus father. John Warner made 1 his difficult role of transfigured courier ni, D( ;u. ^;jf J^-rfhowr poe^al Tm^' Orchestra this week and the week following, nation as well as musical. The other two members are just plain yeggs, guided by the twisted brains of their leaders. vyarner John Payson, Jr John Boles lieorcette Seena, Owen I Garth lay Eaton I Marjorie leanette Lof C 1 Owens Sidney Bracey i Were It not for the light artistry of i Paul Stein's direction, "Man-Made Women" would fall speedily and justly i into the "here today and gone tomor- , row" category.

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In a nutshell, this therapy involves the person with OCD facing his or her fears and then refraining from ritualizing.

So, we keeping things simple and clean inside our page and making it more user-friendly for all chatters.

It was said that Pisk had engaged her for six months, at the sum of 72,000 francs, f Frederic Lollee, in his "Fete Imperiale,"! Plsk amazed New Yorkers by driving the gay ; women of his company through the i streets — for the purpose of advertise- ment? In Fisk S fights with foes ^^^^^ ,^ ^ nntewnrthv «amnle of his kindness .? , he takes ,h«i,™i^(f,iir,«cc i, ■Fl Sk'B ildc-but sometimes in a quasi- f'""'"' uv phh 1 ^v in hi. You've nearly starved them out of II ' thnalre." "But the cost of production! bizonde" a wandering troupe gains in a lottery j a chateau sumptuously furnished. At table ind to the amazement of staid guests from the neighborhood there is spinning of dinner plates, there are surprising tricks of speech and legerdemain. These least im- portant details are the only parts of a play about which it is possible to give definite instruction. y Rose Kfiith Barrett Simon Milton Owen Cameron ; .\rthnr Sircom Behold 1 the material at hand.

In Algiers roeslein," flexlbi Uty, spontaneous deliv-1 again the contrast be Ureen th: His generosity to the poor and un- fra«/«« "'T"^JS^M".^wrfh*'foe; ^ortunale has not been e.xaggerated travagance. There Is a noteworthy example railroads, markets, court.'? ' inf of the stufi that has been produced by West-End managers this year. There are no authors • ' : IS I am not surprised to hear it. In that delightful opera-boufle "La Princesse de Tre- ! Wagslaff is an engaging oung man and when he woos in song ^e|. Ervine's skilful elaboration of them, with Illustrative quotations and analyses of known plays.

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